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Two Reclining Women
Two Reclining Women 5.11.70 IV pen and ink on paper 9 3/8 x 12 5/8 inches
Two Men and a Woman
Two Men and a Woman 5.11.70 II / 12.11.70 felt pen and pen and ink on paper 9 3/8 x 12 5/8 inches
Studies of Heads and Reclining Woman
Studies of Heads and Reclining Woman 9.11.70 IV Pen and ink on paper 9 3/8 x 12 5/8 inches
Old Man and Reclining Woman
Old Man and Reclining Woman 6.11.70 II pencil on paper 9 3/8 x 12 5/8 inches
Two Women 9.11.70 VI
Two Women 9.11.70 VI pen and ink on paper 9 3/8 x 12 5/8 inches
Reclining Woman and Gentleman
Reclining Woman and Gentleman 10.11.70 II wash and pen and ink on paper 9 3/8 x 12 5/8 inches
Man and Reclining Woman with Studies of Heads
Man and Reclining Woman with Studies of Heads 13.11.70 I pencil on paper 9 3/8 x 12 5/8 inches
Man Pointing and Seated Woman
Man Pointing and Seated Woman 13.11.70 II pencil on paper 9 3/8 x 12 5/8 inches
Seated Woman 13.11.70 III
Seated Woman 13.11.70 III pencil on paper 9 3/8 x 12 5/8 inches

Press Release

Picasso

The Berggruen Album
March 4 – April 17, 2004

 

Mitchell-Innes & Nash and John Berggruen Gallery are pleased to present an exhibition of 26 works on paper by Pablo Picasso from the collection of Heinz Berggruen. Entitled Picasso: The Berggruen Album, the show will be on view at the John Berggruen Gallery in San Francisco from March 4 through April 10 and at Mitchell-Innes & Nash in New York from May 3 through June 26, 2004.

 

The two-venue exhibition marks the first time the 1970 album of drawings and watercolors will be on public view, providing a remarkable example of Picasso's mature working process. An accompanying catalogue reproduces the front and back of each of the 26 works and features original essays by celebrated Picasso biographer John Richardson and independent scholar Olivier Berggruen, the youngest son of Heinz Berggruen. John Berggruen is the eldest son of Heinz Berggruen.

 

During his 90th year, Picasso executed the 26-page album over the course of nine days while at his home in Mougins, France, shifting his medium between pen-and-ink, pencil, ink wash and watercolor. The compositions vary in style and subject matter but most feature female nudes. Some of the works contain multiple female figures, while others combine a female nude with a still-life or male nudes. John Richardson has suggested that the album demonstrates references to the work of Ingres and Goya and that some of the female figures depict Picasso's wife, Jacqueline. The exhibition also provides insight into the collecting style of one the world's leading art collectors.

 

A successful international dealer for 25 years, Heinz Berggruen closed his Paris art gallery in 1980 to devote more time to his personal collection. In 1987 Berggruen donated 90 paintings by Paul Klee to the Metropolitan Museum of Art, and in 1996 a significant part of his collection was set aside to form the Sammlung Berggruen, one of Berlin's most important museums of modern art. In addition to works by Picasso and Klee, Berggruen has collected major works by Braque, Cezanne, Giacometti, Matisse, Seurat and van Gogh. A Berlin native who immigrated to the United States in 1936 to study art at Berkeley and escape Nazi Germany, Berggruen moved back to Berlin in the mid-1990s.