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 Six White Horses

Six White Horses
2014
Oil on canvas on panel
60 x 52 inches

 Roan Hill

Roan Hill
2014
Oil on canvas on panel
42 x 84 inches

 Sparrows Wing

Sparrows Wing
2014
Oil on canvas on panel
44 x 34 inches

 Dry Lightning

Dry Lightning
2014
Oil on canvas on panel
72 x 62 inches

 Things of August

Things of August
2014
Oil on canvas on panel
48 x 36 1/4 inches

 Veil 2014

Veil
2014
Oil on canvas on panel
60 x 50 inches

 Field Notes

Field Notes
2014
Oil on canvas on panel
72 x 62 inches

 Solitaire 2014

Solitaire
2014
Oil on canvas on panel
72 x 60 inches

 Little Martha

Little Martha
2014
Oil on canvas on panel
72 x 62 inches

 Cool Dry Place

Cool Dry Place
2014
Oil on canvas on panel
72 x 60 inches

 Post Card Home

Post Card Home
2014
Oil on canvas on panel
60 x 52 inches

 Silent Sun

Silent Sun
2014
Oil on canvas on panel
60 x 50 inches

 Prairie Rd.,

Prairie Rd.

2014

Oil on canvas on panel

22 x 48 inches

 East 20,

East 20

2014

Oil on canvas on panel

22 x 48 inches

Press Release

MICHAEL GREGORY

LONG WAY HOME

July 10 – August 16, 2014

John Berggruen Gallery is pleased to present an exhibition of new paintings by California-based artist Michael Gregory. Long Way Home marks Gregory’s eleventh solo exhibition at the gallery and will be on view July 10 – August 16, 2014. John Berggruen Gallery will host a reception for the artist on Thursday, July 10th between 5:30 and 7:30 p.m. to coincide with the San Francisco Art Dealers Association’s First Thursdays.

Michael Gregory is best known for his signature subject matter, that of barns, silos, and rural fields typically dwarfed against a backdrop of mountains or trees. Exhibiting a remarkable degree of photographic realism and richness in detail, Gregory’s paintings are entirely the product of the artist’s imagination. His landscapes are “constructs” of different buildings and places assembled and recreated by Gregory in his studio. In contrast to the tradition of “plein air” painters, Gregory does not aim to paint was he sees. Symbolic of a psychological state––an “inscape”––rather than a direct representation of the external world, Gregory’s landscapes become the stage sets where human drama plays out. Examining the seamless interaction between the geometry of the buildings and that of the landscape, Gregory calls attention to the barns and structures he paints as archaeological sites and remnants of lives once lived now eternally frozen in time. As such, the paintings in a Long Way Home are best classified as landscape portraiture, deviating from the conventions of traditional landscape painting in that they occasionally utilize a vertical canvas rather than a horizontal one. Gregory’s paintings, while set in a landscape, are not really landscape paintings. Rather, the landscape becomes the supporting character for people and their stories, told through what is left behind.

The paintings in a Long Way Home, as the title suggests, celebrate the road trip. Unlike in previous exhibitions, the inspiration for a Long Way Home derives from Gregory’s travels in his own backyard––the scenic landscape of Northern and Central California. For Gregory, exploring and experiencing the unknown or the unusual is a fundamental quality of humanity, something he calls a “genetic necessity.” Gregory captures in his landscapes, which simultaneously oscillate between the bucolic and the eerie, an unparalleled sense of quiet stillness paired with an overwhelming appreciation for the vastness of this continent. Gregory’s paintings evoke a fundamental sense of loneliness, isolation, and dislocation that aligns with the character of the American West. The artist intends for the theme of the road trip to serve as a metaphor for internal exploration. The journey towards personal knowledge and understanding takes an indirect route, one abound in obstacles and diversions. The road trip is akin to such a journey because there are no rules and no map, just the admonition to take your time and enjoy the Long Way Home.

Michael Gregory was born in Los Angeles in 1955. He received his BFA from the San Francisco Art Institute in 1980, and currently lives and works in the Bay Area. Aside from exhibiting on a regular basis at John Berggruen Gallery, Nancy Hoffman Gallery in New York, and Gail Severn in Idaho, Gregory’s work is included in many private and public collections including the Delaware Art Museum, the Denver Art Museum, The U.S. Trust Company in New York, Microsoft Corporation, General Mills Corporation, Bank of America, and the San Jose Museum of Art. The artist’s work has been shown at museums across the country including: The Arkansas Art Center, Little Rock; The Boulder Center for the Visual Arts, Colorado; The Fine Arts Museums of San Francisco, California; The Hunter Museum of Art, Chattanooga, Tennessee; and The Butler Institute of American Art, Youngstown, Ohio.

For further information and photographs, please contact the gallery at 415.781.4629 or info@berggruen.com

Gallery hours:           Monday - Friday:   9:30-5:30,  Saturday:  10:30-5:00