Berggruen Gallery is pleased to present an exhibition of new paintings by Korean artist Chung Sang-Hwa, on view January 11 – February 17, 2018. This exhibition marks the artist’s first solo show with Berggruen and third solo exhibition in the United States. The gallery will host a reception for the artist on Thursday, January 11 from 5:00 to 8:00 p.m.
Chung Sang-Hwa is considered a leading figure of the Korean Tansaekhwa, or “monochromatic painting,” which comprises a group of artists who emerged in Korea in the 1960s, including Lee Ufan, Park Seo-Bo, and Ha Chong-Hyun. Tansaekhwa developed in the wake of Korea’s emergence as global power following the country’s liberation from Japanese rule and the aftermath of the Korean War. The country’s postwar years marked an upsurge of artistic expression as the country’s independence inspired a renewed global awareness and cultural exchange. Tansaekhwa artists became exposed to major international art movements, such as Abstract Expressionism in the United States, Art Informel in France, and Gutai in Japan. While Tansaekhwa reflects a sense of globalism and appears aligned with Western minimalism, the art of Chung Sang-Hwa and his contemporaries remains grounded in doctrines of Eastern philosophy. The Tansaekhwa artists’ meditative and monastic outlook on artistic creation reflects tenets of Taoism, Buddhism, and Neo-Confucianism, as they contemplate issues surrounding civic disorder and political turbulence through a deliberate engagement with philosophical and spiritual ideologies.
Trained in oil painting, Chung began his practice working in the Korean Informel style before eventually developing his signature artistic technique while living in Kobe, Japan, in the early 1970s. Chung’s works derive from a meticulous artistic process combining properties of painting and sculpting. To create a sense of dimensionality and depth, the artist performs an intense, physical act of adding and removing materials to achieve an object defined by cycles of regeneration. He begins by covering his canvas with glue, water, and kaolin clay, which he combines to form a thick base layer (3-4mm). Once this has dried, Chung folds the canvas horizontally and vertically to establish the grid-like pattern before stripping the hardened material to form textural cracks throughout the canvas. He then covers the entire work in acrylic paint and repeats this process.
While his monochromatic paintings have been characterized as minimalist, upon close inspection their dynamic surface qualities convey a tactile complexity combining both organic and geometric forms. Chung’s work emphasizes the experience of creation – the sequence of time embedded in the paintings’ myriad layers arranged in deliberate succession. Their grid-like structures express a multiplicity and aggregation of matter, where the material accumulates to create a sense of sculptural depth. Horizontal and vertical lines bisect to form geometric patterns, while an organicism exists in subtle variations in texture and composition across his work.
Chung’s methodical and introspective approach to painting aligns his work with Tansaekhwa values, as he explores the power of his medium to invoke contemplation while probing the identity of an art object defined by a disciplined devotion to craft. As his paintings’ materiality goes through iterations of growth and decay, Chung’s works propose a transient harmony of cyclical forces. Chung’s work thus symbolizes an art steeped in ritual, history, and narrative, paying homage to Eastern philosophies while simultaneously penetrating and expanding principles of modernism, all the while bringing Korean art to the forefront of dialogues surrounding contemporary Asian art.
Chung Sang-Hwa was born in Yeongdeok, Gyeongsangbuk-do, Korea in 1932. He graduated from the oil painting department of Seoul National University in 1956. Chung’s work belongs to numerous museum collections, including The Art Institute of Chicago, Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; the Guggenheim Museum of Art, New York; the Samsung Leeum Museum of Art, Seoul; the Seoul Museum of Art, Seoul; the National Museum of Modern Art, Tokyo; the Shizuoka Prefectural Museum of Art, Yada Shizuoka City; the Fukuoka Asian Art Museum, Fukuoka; and the Musée d’Art Modern de Saint-Etienne, France. Chung Sang-Hwa lives and works in Gyeonggi Province, Korea.
Chung Sang-Hwa, January 11 – February 17, 2018. On view at 10 Hawthorne Street, San Francisco, CA 94105. Images and preview are available upon request. For all inquiries, please contact the gallery by phone (415) 781-4629 or by email firstname.lastname@example.org.