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Chuck Close Cindy (smile), 2013

Chuck Close
Cindy (smile), 2013
Archival watercolor pigment print on Hahnemühle rag paper
Image: 23 x 19 inches
Sheet: 30 x 24 inches
Edition of 50

Chuck Close Inka, 2012

Chuck Close
Inka, 2012
Archival watercolor pigment print on Hahnemuhle rag paper
75 x 60 inches
Edition of 3

Chuck Close Jack B., 1974

Chuck Close
Jack B., 1974
Ink and graphite on paper
29 3/4 x 22 1/2 inches

 

Chuck Close Nat/Felt Hand Stamp, 2012

Chuck Close
Nat/Felt Hand Stamp, 2012
Oil paint on paper
33 1/2 x 27 1/2 inches
Edition of 40

Chuck Close Kerry P., 1974

Chuck Close
Kerry P., 1974
Ink and graphite on paper
30 x 22 inches

Chuck Close Phil I, 1982

Chuck Close
Phil I, 1982
Pressed paper pulp in greys
68 1/2 x 53 1/2 inches
Edition of 15

Chuck Close  Phil (WC print on Japanese HMP), 2014

Chuck Close 
Phil (WC print on Japanese HMP), 2014
Watercolor pigment print on Awagami handmade BIZAN White Thick 200 grams, hand-coated
55 1/2 x 44 inches 
Edition of 10

Biography

Chuck Close began his career in 1968 with a black-and-white self-portrait painted from a photograph. This was the first note of the signature style which permeates his work. Since then Close has used a variety of media to create stark, hyperrealist portraits. They are closely cropped to eliminate body language and background, inviting the viewer’s attention. Close creates portraits by a process of transposing marks with a grid for reference. He explores a multitude of approaches to depicting his subjects, challenging himself by using materials and techniques that do not easily produce such realistic effects. Among the media Close has investigated are etching, aquatint, lithography, ink and fingerprints, traditional Japanese woodcut and reduction linocut. In 1988, Close had a spinal artery collapse which left him a quadriplegic. After time he regained some movement in his arms and legs and continues to paint with a brush held between his teeth or strapped to his hand. Although the paralysis restricted his ability to paint as meticulously as before, his style has changed very little. Close proved able to create his desired effects even in the most challenging circumstances. Close’s work can be found in over 65 major public collections worldwide, including the Albright-Knox Art Gallery, Buffalo; Art Gallery of Ontario, Toronto; The Art Institute of Chicago; Australian National Gallery, Canberra; Carnegie Institute, Museum of Art, Pittsburgh; The Cleveland Museum of Art; Des Moines Art Center; High Museum of Art, Atlanta; Hirshhorn Museum and Sculpture Garden, Washington DC; International Museum of Photography, George Eastman House, Rochester; Library of Congress, Washington, DC; The Metropolitan Museum of Art, New York; Musée national d’art moderne, Centre Georges Pompidou, Paris; Museum moderner Kunst, Palais Liechtenstein, Vienna; The Museum of Modern Art, New York; National Portrait Gallery, Washington DC; Osaka City Museum; Philadelphia Museum of Art; Seattle Art Museum; Staatliche Museum, Berlin; Virginia Museum of Fine Arts, Richmond; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; and Yale University Art Gallery, New Haven, among others.