Lucy Williams
Maine-Montparnasse (Detail no. 5), 2013
Plexiglas, paper and acrylic paint on birch ply panel
13 3/8 x 31 1/2 inches

Lucy Williams
Library at Maison Louis Carré, 2017
Paper, engineered wood, maple wood veneer, piano wire and acrylic paint on birch ply panel
18 1/8 x 35 1/2 inches
Framed: 22 1/4 x 39 5/8 x 3 inches

Lucy Williams
Library at Maison Louis Carré #4, 2017
Paper, engineered wood, maple wood veneer and acrylic paint on birch ply panel
15 x 15 inches
Framed: 19 1/8 x 19 1/8 x 3 inches

Lucy Williams
Basterfield House #3, 2015
Mixed media on panel
8 7/8 x 8 7/8 inches

Lucy Williams
Bousefield School, 2013
Perspex, paper, cork, gravel effect scenic mat and acrylic paint on birch ply panel
15 3/4 x 23 1/2 inches

Lucy Williams
Dining Hall, 2014
Paper, card, Plexiglas, conté crayon, Jesmonite panel, piano wire, walnut and sapele veneers, and concrete effect vinyl flooring
16 1/2 x 27 1/2 inches

Lucy Williams
Puck's Bedroom, 2012
Mixed media on panel
11 3/4 x 11 3/4 inches

Lucy Williams
Swiss Cottage Swimming Baths, 2013
Birch veneer, recycled paper and cast Jesmonite panels inset with pea stones, Plexiglas, paper and cork on birch ply boards
15 5/8 x 19 3/8 inches
Framed: 22 1/4 x 26 1/8 x 3 inches

Lucy Williams
Bis Heute, 2011
Paper, acrylic paint, Perspex, ABS plastic strip, balsa wood, Pantone Letratint Color/Tint Overlay film, cast Jesmonite panel on board
23 3/8 x 16 1/4 inches

Lucy Williams
Rubber Company Headquarters, 2012
Mixed media on panel
15 3/8 x 14 1/2 inches

Lucy Williams
The red kitchen, 2012
Mixed media on panel
15 3/4 x 15 3/4 inches

Lucy Williams
Dormitory, 2012
Mixed media on panel
16 1/2 x 21 1/4 inches

Lucy Williams
Kitchen (Frognal 66), 2013
Paper, card, cork, recycled paper, Plexiglas, silver colored card and acrylic paint on board
17 1/2 x 14 1/8 inches

Biography

British artist Lucy Williams redefines the concept of collage through her intricate mixed media bas-reliefs depicting deserted scenes of mid 20th century Modernist architecture. Her works are a fine balance: structurally and in the tension between the precision and masculinity of the stark utopian architecture that is re-invested with humanity through the painstaking and traditionally feminine domain of craft. Ultimately, Williams’s primary interest lies in the interplay of representation that the Modernist source material so lends itself to in descriptions of geometric and modular blocks of material and colour.

Born in Oxford in 1972, Williams studied at Glasgow School of Fine Art before obtaining a Postgraduate Diploma in Fine Art at the Royal Academy in 2003. She has exhibited internationally with solo shows including Beneath a woollen sky and Pavilion, both at Timothy Taylor Gallery, London (2007 and 2012 respectively), Festival at McKee Gallery, New York (2014), and most recently with Lucy Williams: Pools at Berggruen Gallery, San Francisco (2017). Group shows have included Painting the Glass House: Artists Revisit Modern Architecture, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008) and After curated by Marjolaine Levy at Galerie Mitterand, Paris (2013).