John Berggruen Gallery
Jane Hammond
Biography
JANE HAMMONDBorn:
1950 Bridgeport, Connecticut
Education:
1972 B.A. Mount Holyoke College, South Hadley, MA
1973-74 Arizona State University, Tempe, Arizona
1977 M.F.A. University of Wisconsin, Madison, Madison, WI
Solo Exhibitions:
2005 Galeria Senda, Barcelona, Spain
Wetterling Gallery, Stockholm, Sweden
Galerie Lelong, New York
2004 “What’s That?” Children’s Museum of Manhattan, New York, New York
“Arte Termita Contra Elefante Blanco,” Museo ICO, Madrid, Spain (with catalogue)
“The Buddha Project,” Cleveland State University Art Gallery, Cleveland, Ohio
“Ten,” Byron Cohen Gallery, Kansas City, Missouri
“Four Decades of Printmaking 1960 – 2000: Selections from the Maslow Collection,” Everhart Museum, Scranton, Pennsylvania
“The Sporting Women: The Female Athlete in American Culture,” Mount Holyoke College Museum of Art, South Hadley, Massachusetts
2003 Greg Kucera Gallery, Seattle, Washington
Jane Hammond…Rebus Paintings, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, North Carolina
Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Vanguardia Gallery, Bilbao, Spain
Lemberg Gallery, Ferndale, MI
David Floria Gallery, Aspen, CO
John Berggruen Gallery, San Francisco, CA
2002 Whitney Museum of American Art at Philip Morris, New York, NY
“Be Zany, Poised Harpists; Be Blue, Little Sparrows,” Dieu Donné Gallery,
New York, NY
Galeria Senda, Barcelona, Spain
2001 Galerie Lelong, New York, NY
Cleveland Center for Contemporary Art, Cleveland, OH; traveled to
The Contemporary Museum, Honolulu, HI; Madison Art Center, Madison, WI;
and Blaffer Gallery, The Art Museum of the University of Houston, Houston, TX
Lemberg Gallery, Ferndale, MI
2000 Greg Kucera Gallery, Seattle, WA
1999 Lemberg Gallery, Birmingham, MI
Galeria Senda, Barcelona, Spain
“Jane Hammond and Judy Pfaff,” Byron Cohen Gallery, Kansas City, MO
1998 David Beitzel Gallery, New York, NY (drawings)
Zolla/Lieberman Gallery, Chicago, IL (drawings)
David Floria Gallery, Aspen, CO (drawings)
Galerie Barbara Farber/Rob Jurka, Amsterdam, The Netherlands
1997 Luhring Augustine, New York, NY
Greg Kucera, Seattle, WA
West Virginia University, Morgantown, WV
1996 Lemberg Gallery, Birmingham, MI
Galerie Barbara Farber, Amsterdam, The Netherlands
Jose Freire Fine Art, New York, NY
1995 Zolla/Lieberman Gallery, Chicago, IL
Ruth Bloom Gallery, Santa Monica, CA (drawings)
Jose Freire Fine Art, New York, NY
1994 The Orlando Museum of Art, Orlando, FL; traveled to The Freedman Gallery,
1995 Albright College, Reading, PA
Jose Freire Fine Art, New York, NY (In collaboration with John Ashbery)
1993 Cincinnati Museum of Art, Cincinnati, OH
Greg Kucera Gallery, Seattle, WA (drawings)
Feigenson-Preston Gallery, Birmingham, MI (drawings)
1992 Transepoca Gallery, Milan, Italy
Heland Wetterling Gallery, Stockholm, Sweden
1991 fiction/non-fiction Gallery, New York, NY
Feigenson-Preston Gallery, Birmingham, MI
1990 Gallery Wetterling, Goteborg, Sweden
Zolla/Lieberman Gallery, Chicago, IL
Honolulu Academy of Art, Honolulu, HI
fiction/non fiction Gallery, New York, NY
1989 Exit Art, New York, NY
1987 Nina Freudenheim Gallery, Buffalo, NY
Group Exhibitions:
2003 “Divergent,” Galerie Lelong, New York, NY
“I Love New York,” Mary Ryan Gallery, New York, NY
“A Way With Words,” John Berggruen Gallery, San Francisco, CA
“Splendid Pages: The Molly and Walter Bareiss Collection of Modern
Illustrated Books,” Toledo Museum of Art, Toledo, OH
“Art a Century Apart: 1903 and 2003,” Mississippi Museum of Art, Jackson, MS
“On Paper: Masterworks from the Addison Collection,” Addison Gallery of
American Art, Andover, MA
“Contemporary Prints and Photographs from the Bruce Brown Collection,”
Colby College Museum of Art, Waterville, ME
“ULAE: Recent Additions,” David Floria Gallery, Aspen, CO
“Word/Image,” Westport Arts Center, Westport, CO
2002 “177th Annual,” National Academy of Design, New York, NY
“American Painting,” Christian Dam Gallery, Oslo, Norway
“Universal Limited Art Editions,” Devin Borden Hiram Butler Gallery, Houston, TX
“New York New Work Now!” Currier Museum of Art, Manchester, NH
“Resisting Categories,” The Gallery of South Orange, South Orange, NJ
“Splendid Pages: The Molly and Walter Bareiss Collection of Modern
Illustrated Books,” Toledo Musuem of Art, Toledo, OH
“The Art of Healing II,” Greg Kucera Gallery, Seattle, WA
“One Thousand Words: Storytelling Images from Cultures Around the
World,” John Michael Kohler Arts Center, Sheboygan, WI
“Remarkable Women,” Peltz Gallery, Milwaukee, WI
2001 “Digital Printmaking Now,” Brooklyn Museum of Art, Brooklyn, NY
“Curator’s Choice: A Personal Look at Prints,” Detroit Institute of the Arts, Detroit, MI
“Summer in the City,” John Berggruen Gallery, San Francisco, CA
“Bugs,” Pace Prints, New York, NY
“Underfoot,” Associacao Alumni, Sao Paulo, Brazil
“Kinds of Drawing,” Herter Art Gallery, University of Massachusetts, Amherst, MA
“Summer Group Exhibition,” David Beitzel Gallery, New York, NY
“High Art: Art of the Bank of America Tower,” Bank of America Gallery, Seattle, WA
“Din Art 4,” Museum fur Kommunikation, Frankfurt, Germany
“State of the Art 2001,” International Biennial Watercolor Exhibition,
Parkland College, Champaign, IL
“Luck of the Drawn,” Geoffrey Young Gallery, Great Barrington, MA
“Celebrating Women’s Art—Benefiting Women’s Health: In honor of the
Lynne Cohen Foundation for Ovarian Cancer Research,” Bobbie Greenfield
Gallery, Santa Monica, CA
2000 “Picturing the Modern Amazon,” The New Museum, New York, NY
“1001 Nights,” Landesmuseum, Linz, Austria
“Contemporary Narrative in American Prints,” Whitney Museum at
Champion, Stamford, CT
“Mapping Cities,” Boston University Art Gallery, Boston, MA
“Drawing and Photographs,” Matthew Marks Gallery, New York, NY
“The Likeness of Being: Self Portraits by Contemporary Women Artists,”
DC Moore Gallery, New York, NY
“The End: An Independent Vision of the History of Contemporary Art,” Exit Art,
New York, NY
“Reconstructions: The Imprint of Nature/The Impact of Science,” Sidney
Mishkin Gallery, Baruch College, New York, NY
“Selections from the Permanent Collection and Loans from Private
Collections,” Portland Art Museum, Portland, OR
“UTEP Millennium Printmaking Invitational,” Fox Fine Arts Center,
University of Texas at El Paso, El Paso, TX
“New Prints,” David Adamson Gallery, Washington, D.C.
“Lasting Impressions,” Portland Museum of Art, Portland, ME
1999 “The Broad Spectrum: Color on Paper, Past and Present,” The Art Institute of
Chicago, Chicago, IL
Summer Group Exhibition, David Beitzel Gallery, New York, NY
“The Body as Question,” Speed Museum, Louisville, KY
“A Sense of Risk,” Selections from the Shiffler Foundation, Miami
University, Oxford, OH
“Faster Than a Speeding Bullet: Superheroes in Contemporary Art,”
Cleveland Center for Contemporary Art, Cleveland, OH
Gallery Artists, Zolla Lieberman Gallery, Chicago, IL
“Fabled Impressions,” Georgia Museum of Art, Athens, Georgia
“Women in Print,” Jim Kempner Fine Art, New York, NY
“Elliot Green, Jane Hammond, David True, Trevor Winkfield,” Tibor de
Nagy Gallery, New York, NY
“Domestic Pleasures,” Galerie Lelong, New York, NY
“Portraits,” Jim Kempner Fine Art, New York, NY
“The New Museum Annual Benefit Exhibition,” The New Museum, New York, NY “Calendar 2000 Project,” Center for Curatorial Studies, Bard College,
Annondale-on-Hudson, NY
“Die Kunst der Linie” (The Artistic Possibilities of the Line),
Landesgalerie Oberosterreich, Linz, Austria
1998 “Secret Victorians,” Firstsite, The Minories Art Gallery, Colchester, England;
traveled to Arnolfini, Bristol, England; Ikon Gallery, Birmingham, England; Middlesborough Art Gallery, Middlesborough, England; The Armand Hammer Museum of Art, UCLA, Los Angeles, CA; The Fabric Workshop, Philadelphia, PA
“Prints in the ‘90’s from ULAE,” Marlborough Chelsea, New York, NY;
traveled to Fay Gold Gallery, Atlanta, GA; City Arts Center, Oklahoma City,
OK; Locus Gallery, St. Louis, MO; James Kelly Contemporary, Santa Fe, NM
“Artists on Line for Acor,” Gagosian Gallery, New York, NY
“Preview,” Byron Cohen, Kansas City, MO
“Knowing Children,” David Beitzel Gallery, New York, NY
“Preserving the Past, Securing the Future,” National Museum of Women in
the Arts, Washington, D.C.
”Masters of the Masters,” Butler Institute of American Art, Youngstown, OH
“Paper + Works on Dieu Donné Paper,” The Gallery at Dieu Donné Papermill,
New York, NY
“A Sustaining Passion: The Tsagaris/Hillberry Collection,” Cedar Rapids
Museum of Art, Cedar Rapids, IA; traveled to Dubuque Museum of Art, Dubuque, IA
1997 “New Work By Gallery Artists,” Lemberg Gallery, Birmingham, MI
“Livres d’Artistes,” Espace Cultural de Tingeux, Tingeux, France
“Michael Banicki, Jane Hammond, Tim Rollins + KOS,” Gahlberg Gallery,
College of Du Page, Glen Ellen, IL
“ULAE: A Print Survey,” Greg Kucera Gallery, Seattle, WA
“Proof Positive: 40 Years of Contemporary American Printmaking at ULAE
1957-1997,” organized by the Corcoran Gallery of Art, Washington, D.C.;
traveled to the University of Colorado, Boulder, CO; Armand Hammer
Cultural Center at UCLA, Los Angeles, CA; Sezon Museum of Art, Tokyo, Japan
“New York,” F15 Galleri, Oslo, Norway
“Collector’s Choice,” Orlando Museum of Art, Orlando, FL
1996 “Making Time,” Kitteridge Gallery, University of Puget Sound, Tacoma, WA
“The Changing Image,” Gian Ferrari Arte Contemporanea, Milan, Italy
“Talk Back! A Forum for Critical Discourse,” http://talkback.lehman.cuny.edu/tb
“100 Years of Collecting,” Cornell Fine Arts Museum, Rollins College,
Winter Park, FL
“Contemporary Floral,” Steven Scott Gallery, Baltimore, MD
1995 “Recent Print Exhibitions,” Museum of Modern Art, New York, NY
“Insight,” David Beitzel Gallery, New York, NY
Summer Group Show, Luhring Augustine, New York, NY
“This End Up: Selections from the Robert J. Shiffler Collection,” organized
by The Wyoming Art Museum and the Robert J. Shiffler Collection,
University of Wyoming Art Museum, Laranue, WY; traveled to The South Dakota
Art Museum, Brooking, SD; The Arvada Center of the Arts & Humanities,
Arvada, CO; The Cleveland Center for Contemporary Art, Cleveland, OH
Group Painting Show, Galleri K, Oslo, Norway
“Playtime: Artists and Toys,” Whitney Museum at Champion, Stamford, CT
“Ten Young American Artists,” Wetterling-Teo Gallery, Singapore
“Anxiety and the Irrational: Selections from the Permanent Collection,”
Whitney Museum of American Art, New York, NY
“Prints to Benefit the Foundation for Contemporary Performance Arts,”
Brooke Alexander Gallery, New York, NY
“The Magic Magic Book,” The Whitney Museum of American Art, New York, NY
“Reinventing the Emblem,” Yale University Art Gallery, New Haven, CT
“Large and Small: Prints from Universal Limited Art Editions,” The Art
Institute of Chicago, Chicago, IL
“Sex,” Greg Kucera Gallery, Seattle, WA
1994 “Selections from the Collection: Recent Print Acquisitions,” The Whitney
Museum of American Art, New York, NY
“A Garden,” Barbara Krakow Gallery, Boston, MA
“Who Chooses Who,” New Museum of Contemporary Art, New York, NY
“Not for the First Time,” Richard F. Brush Gallery, St. Lawrence
University, Canton, NY
“Night Visions and Other Obsessions,” Marguerite Oestreicher Fine Arts,
New Orleans, LA
“Drawings for Lacanian Ink,” Thread Waxing Space, New York, NY
1993 “ULAE: New Editions,” Brooke Alexander Gallery, New York, NY, and
Bobbie Greenfield Gallery, Venice, CA
“Living with Art: The Saul and Ellyn Dennison Collection,” The Morris
Museum, Morristown, NJ
“Scratching the Surface,” Colgate University, Hamilton, NY
“New York Works on Paper,” Geoffrey Young Gallery, Great Barrington, MA
“Regarding Masculinity” Arthur Roger Gallery, New Orleans, LA
“Figure as Fiction,” The Cincinnati Center for Contemporary Art, Cincinnati, OH
“Benefit for the Foundation for Contemporary Performance Art,” Leo Castelli
Gallery, New York, NY
“I, the Enunciator,” The Thread Waxing Space, New York, NY
“The Fine Art of Patronage,” Cranbrook Academy of Art Museum,
Bloomfield Hills, MI
“Hypnosis,” The Maryland Institute College of Art, Baltimore, MD
1992 “Fear of Painting,” Arthur Roger Gallery, New York, NY
“Painting Culture,” University of California at Irvine, Irvine, CA
“Group Exhibition,” John Berggruen Gallery, San Francisco, CA
“Landscape as Stage,” Locks Gallery, Philadelphia, PA
“Hair,” The John Michael Kohler Arts Center, Sheboygan, WI
“Collectif Generation, Le Peintre, l’ecrivain et le livre, 1988-1992,”
Low Rotunda Memorial Library, Columbia University, New York, NY
“Jane Hammond, Valerie Parks, Archie Rand,” Feigenson-Preston Gallery, Birmingham, MI
“Selections 1991: Recent Acquisitions of the Honolulu Advertiser
Collection,” The Contemporary Museum, Honolulu, HI
“Gallery Selections,” Feigenson Preston Gallery, Birmingham, MI
“Painted Word/Written Image,” Greg Kucera Gallery, Seattle, WA
“Four Painters,” Nichido Gallery, Tokyo and Nagoya, Japan
“Drawn in the Nineties,” Independent Curators International, Katonah
Art Museum, Katonah, NY; traveled to Fine Arts Gallery, Indiana
University, Bloomington, IN; Illingworth Kerr Gallery, Calgary, Alberta,
Canada; Huntsville Museum of Art, Huntsville, AL
1991 “43rd Annual Academy-Institute Purchase Exhibition,” American Institute
of Arts and Letters, New York, NY
“Painting Culture,” fiction/nonfiction, New York, NY
“Livres d’Artists of Collectif Genération,” Center for Book Arts and the
French Cultural Services, New York, NY
“Marking the Decades: 1960-1990,” Baltimore, Museum of Art, Baltimore, MD
“Group Exhibition - Drawings,” Charles Cowles Gallery, New York, NY
“New U.L.A.E.,” Pence Gallery, Santa Monica, CA
“Words & #s,” Museum of Contemporary Art, Wright State University, Dayton, OH
“Drawing Conclusions,” Molica guid Arte, New York, NY
“Europa / America,” Molica guid Arte, New York, NY
“Abstract Information: First Impressions, Last Resorts—Printmaking at the
End of the Century,” Charles Plohn Gallery, Sacred Heart University,
Fairfield, CT; traveled to Bard College, Annandale-on-Hudson, NY
“Gallery Artists,” fiction / nonfiction Gallery, New York, NY
“Presswork: The Art of Women Printmakers,” The National Museum of
Women in the Arts, Washington, D.C.; traveled to Atlanta College of Art,
Atlanta, GA; University Art Museum, University of Minnesota, Minneapolis,
MN; Elvehjem Museum of Art, University of Wisconsin, Madison, WI;
The Butler Institute of American Art, Youngstown, OH; Federal Reserve
Bank Fine Arts Gallery, Kansas City, MO; Edwin A. Ulrich Museum of Art,
Wichita State University, Wichita, KS; Portsmouth Museums, Portsmouth
Community Arts Center, Portsmouth, VA; Spiva Art Center, Joplin, MO
“Benefit Exhibition: 14th Anniversary,” The New Museum of Contemporary
Art, New York, NY
“The ICI 15th Anniversary Print Portfolio,” Castelli Graphics, New York;
traveled to Pace Gallery, New York, NY; Brook Alexander, New York, NY;
Myers Bloom Gallery, Los Angeles, CA
“Eye for Art II,” Detroit Institute of the Arts, Detroit, MI
“Cross Sections - Contemporary Art Collections in Detroit,” Meadowbrook
Art Gallery, Oakland University, Rochester, MI
“Barrett, Hammond, Salo, Wesley,” fiction/non-fiction Gallery, New York, NY
“Black and White,” Nina Freudenheim Gallery, Buffalo, NY
“Retakes—Prints and Drawings by 6 Canadian and 6 American Artists,”
Extension Gallery, Toronto, Ontario, Canada
“Word as Image: American Art 1960-1990,” The Milwaukee Art
Museum, Milwaukee, WI; traveled to The Oklahoma City Art Museum,
Oklahoma City, OK; The Contemporary Arts Museum, Houston, TX
1990 “42nd Annual Academy - Institute Purchase Exhibition,” American Academy
and Institute of Arts and Letters, New York, NY
“The Unique Print,” Museum of Fine Arts, Boston, MA
“11th British International Print Biennale,” Bradford Art Galleries and
Museums, Bradford, England
“La Bibliothèque Imagineé de Collectif Génération,” Victoria and Albert
Museum, London, England; traveled to Musée de Graveline, Graveline, France
“Sixth Sense,” Pence Gallery, Santa Monica, CA
“Out of Abstraction,” Islip Art Museum, Islip, NY
“Intimate Inventions/Gestural Abstractions,” Madison Art Center, Madison, WI
“Waterworks,” Universal Limited Art Editions, New York, NY
“Gallery Selections,” fiction/non-fiction Gallery, New York, NY
“Faces,” Marc Richards Gallery, Los Angeles, CA
“Works on Paper,” Shea and Beker Gallery, New York, NY
“Gallery Selections” Feigenson-Preston Gallery, Birmingham, MI
“The Fifth Essence,” Gracie Mansion Gallery, New York, NY
“A Selection of Selections,” Parsons School of Design, New York, NY
1989 “Selections from The Laila and Thurston Twigg Smith Collection,”
The Contemporary Museum, Honolulu, HI
25th National Print Exhibition, the Brooklyn Museum, Brooklyn, NY
“Visions of the Volcano,” East Hawaii Cultural Center, Hilo, HI; traveled to
The Contemporary Museum, Honolulu, HI; Stones Gallery, Kuai, HI
“New Work,” Feigenson Preston Gallery, Birmingham, MI
“Ten Gallery Artists,” Nina Freudenheim Gallery, Buffalo, NY
Summer Group Exhibition, Shea & Beker, New York, NY
Invitational with Gallery Artists, fiction/non fiction Gallery, New York, NY
Summer Group Exhibition, Ledis Flam Gallery, New York, NY
Summer Group Exhibition, Dolan/Maxwell Gallery, New York, NY
“Invitational,” Feigenson-Preston Gallery, Birmingham, MI
Summer Invitational, Works on Paper, Dolan/Maxwell Gallery, Philadelphia, PA
“Small Paintings,” Nina Freudenheim Gallery, Buffalo, NY
“Prints and Trial Proofs,” Simon James Gallery, Berkeley, CA
“Earth Remembered,” New York, NY
“Drawing and Related Prints,” Castelli Graphics, New York, NY
100 Women’s Drawings, Long Island University, C.W. Post Campus,
Brookville, NY; traveled to Blum Helman Gallery, New York, NY
1988 “The New Generation,” Elaine Benson Gallery, Bridgehampton, NY
“Underknown in New York II,” Hunter College, New York, NY
1987 “Painters Make Prints,” The Maryland Institute, College of Art, Baltimore,
MD; traveled to Essex Community College, Essex, MD; Hood College, Frederick, MD; Frostburg State University, Frostburg, MD
“Pastel Anthology II,” Grace Borgenicht Gallery, New York, NY
Invitational Exhibition, Stux Gallery, New York, NY
“Paper,” Dalsheimer Gallery, Baltimore, MD
1986 Small Scale Abstraction, Grace Borgenicht Gallery, New York, NY
1986 “Inaugural Exhibition,” Cavin Morris, New York, NY
Selected Public Collections:
Addison Gallery of American Art, Andover, MA
Albertina, Vienna, Austria
Albright Knox Art Gallery, Buffalo, NY
Art Institute of Chicago, Chicago, IL
Baltimore Museum of Art, Baltimore, MD
Bibliothèque Nationale, Paris, France
Brooklyn Museum of Art, Brooklyn, NY
Cincinnati Art Museum, Cincinnati, OH
The Contemporary Museum, Honolulu, HI
The Detroit Institute of the Arts, Detroit, MI
The Fogg Art Museum, Harvard University, Cambridge, MA
Fort Wayne Museum of Art, Fort Wayne, IN
Grunewald Center for Graphic Arts, Los Angeles, CA
Honolulu Academy of Art, Honolulu, HI
Maryland Institute College of Art, Baltimore, MD
Museo de Arte Contemporaneo, Mexico City, Mexico
Metropolitan Museum of Art, New York, NY
Milwaukee Art Museum, Milwaukee, WI
Museum of Contemporary Art, Chicago, IL
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
New York Public Library, New York, NY
Orlando Museum of Art, Orlando, FL
Portland Art Museum, Portland, OR
Saint Louis Art Museum, St. Louis, MO
San Francisco Museum of Modern Art, San Francisco, CA
San Jose Museum of Art, San Jose, CA
Toledo Museum of Art, Toledo, OH
Tucson Museum of Art, Tucson, AZ
The Walker Art Center, Minneapolis, MN
Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
The Whitney Museum of American Art, New York, NY
Yale University Art Gallery, New Haven, CT
Selected Awards:
2000 The Joan Mitchell Foundation Grant Award
1992 Artist-in-Residence, Skowhegan School of Painting and Sculpture, Skowhegan, ME
1989 Louis Comfort Tiffany Award
New York State Council on the Arts Visual Artists Sponsored Work Award
National Endowment for the Arts Individual Fellowship in Painting
New York Foundation for the Arts Grant in Painting
Art Matters, Inc.
“Painters as Printmakers,” NEA grant (through the Maryland Institute)
in Printmaking
1986 Mellon Grant, The Maryland Institute
1985 Ludwig Vogelstein Foundation Grant in Painting
Trustees Award for Excellence in Teaching, Maryland Institute College of Art
1985 Summer Fellowship to Yaddo Artists’ Colony, Saratoga Springs, NY
SELECTED BIBLIOGRAPHY
2003 “Splendid Pages: The Molly and Walter Bareiss Collection of Modern Illustrated
Books,” Exhibition catalog published by the Toledo Museum of Art, Toledo, OH, and Hudson Hills Press, Inc., New York, NY
Rubinstein, Raphael, “A Quiet Crisis,” Art in America, March, pp.39-45
“Art a Century Apart,” The Clarion- Ledger, Jackson, MS, March 2, pp. 3F, 5F (illustration)
Rubinstein, Raphael, and Jane Hammond, “On Collaboration,” Artkrush,
Issue 2, www.artkrush.com
Cohen, Keri Guten, “Jane Hammond: Shanghai Costumes,” Detroit Free Press,
May 18 (illustration)
Christopher, Andre, “Art History,” Tennis Week Magazine, May 6, Cover and
p. 43 (illustration)
Lance, Tony, “Poster Girl,” Tennis Magazine, June, p. 44 (illustration)
Lehody, Frank K., “The Model Daughter,” Roland Garros Magazine,
pp. 56-60 (illustration)
Lehody, Frank K., “Le Meilleur d’Hammond,” Roland Garros’ Le Quotidien Officiel
2003, pp. 38-39 (illustration)
Lehody, Frank K., “Jane Hammond en Sept Questions,” La Tribune de Roland
Garros, Avril/Mai, pp. 1-2 (illustration)
2002 Wallach, Amei, “To a Painter, Words are Worth a Thousand Pictures,”
The New York Times, October 13, Arts and Leisure, Section Two, pp. 1, 37 (illustrations)
“American Visionaries: Selections from the Whitney Museum of Art,”
Whitney Museum of American Art, New York, NY
Hirsch, Faye, “Working Proof: Jane Hammond and Raphael Rubinstein,”
Art on Paper, December pp. 54-55 (illustration)
Lovelace, Carey, “Jane Hammond at Galerie Lelong,” Art in America, April,
pp. 152 -153 (illustration)
Carrier, David, “Jane Hammond at the Cleveland Center for Contemporary Art,”
Artforum, March, p. 144 (illustration)
Princenthal, Nancy, “Be Zany, Poised Harpiss, Be Blue, Little Sparrows,”
Exhibition catalog published by Dieu Donne Lab Grant Program, Dieu Donne
Papermill, New York, NY
Lehman, David, “Jane Hammond,” The Frances Dittmer Series on Contemporary
Art, BOMB magazine, Fall, pp. 28-35 (illustration)
Rubenstein, Raphael, “Back Stage: Secrets of Scene Painting,” Exhibition catalog
published by The Whitney Museum of American Art at Philip Morris, New York, NY
Hirsch, Faye, “Paper Pulse: A Conversation with Jane Hammond,” Art On Paper,
March-April, Cover and pp. 64-69 (illustrations)
Newhall, Edith, “Set Pieces,” New York Magazine, Jan. 21-28, p. 95 (illustration)
Devine, John, “What’s in a Name,” Houston Press, October 31-November 6, p. 58 (illustration)
Johnson, Patricia C., “Play on Words,” Houston Chronicle, September 28, pp. 9-10D (illustration)
Perwaiz, Uruj, The Daily Cougar, October 2, p. 12 (illustration)
“Art of the Butterfly: Body Language 2002 by Jane Hammond,”
American Butterflies, Summer, pp. 42-43 (illustration)
Morse, Marcia, “Archaeology of the Surreal,” Honolulu Weekly, May 22-28,
p. 9 (illustration)
Rizk, Mysoon, “Jane Hammond at the Cleveland Center for Contemporary Art,”
New Art Examiner, May-June, p. 91 (illustration)
Hammond, Jane, “In Her Own Words: Wonderful You,” Women in the Arts, Fall,
p. 8-9 (illustration)
Uberquoi, M.C., “Jane Hammond,” El Cultural, Barcelona, Spain, December 5-11
2001 “Digital: Printmaking Now,” Exhibition catalog, Brooklyn Museum of Art, Brooklyn, NY
Hirsch, Faye, “Working Proof,” Art on Paper, July-August, p. 62 (illustration)
Keri Guten Cohen, “Jane Hammond at Lemberg,” Detroit Free Press, February 25, 2001, page 7G
Joy Hakanson Colby, “Jane Hammond Puts Her Energy on Paper,”
The Detroit News, March 2, 2001
1999 Frueh, Joanna, Laurie Fierstein, and Judith Stein, Picturing the Modern Amazon,
Rizzoli and New Museum Books, New York, NY
Zimmer, William, “A Return to the Stories that Viewers May Have Been Missing,”
The New York Times, Sunday, January 11, p. 18 (illustration)
“Die Kunst der Linie” Exhibition Catalog, Landesmuseum, Linz, Austria
Yovens, Rachel, “The Likeness of Being: Contemporary Self-Portraits by 60 Women,”
New York Arts, Vol. 5, no. 1, pp 49-52 and cover
Cembalest, Robin, “The Woman in the Mirror,” Elle, January, p. 34 (illustration)
Rubinstein, Raphael, “Ashbery in Dargerland,” Art in America, February, pp 37-39
Hirsch, Faye, “Working Proof,” Art on Paper, March-April, p. 64 (illustration)
1999 Lustfeldt, Heather, “Jane Hammond at Cohen,” Review, December, Vol. 2, #2, p. 21
Molina, Angela, “Jane Hammond, en el Cementerio de Elefantes,” ABC
Newspaper, November 15
Oliver, Conxita, “El Velar I el Desvelar de Jane Hammond,” Avui Newspaper,
Culture Magazine supplement, Nov. 18, p. 19
Johnson, Ken, “Printmaking as a Magical Collaboration,” The New York Times,
July 30, p. B35
Johnson, Ken, “Art Guide,” The New York Times, July 16, p. B38
Harrison, Helen A., “Updating and Adapting Traditions, of a Country or a Medium,”
The New York Times, Sunday, February 14, p. 23 (illustration)
Cohen, Keri Guten, “Jane Hammond,” Detroit Free Press, Sunday, May 2, p. 2E
Salvaggio, Denise, “Living With Art,” Orlando, April, pp. 50-54
1998 “A Sustaining Passion: The Tsagaris/Hillberry Collection,” Exhibition Catalog published
by Cedar Rapids Museum of Art
Vincent, Steven, “Silicon Gallery,” Art & Auction, January, pp. 76-79, 114-115
Troy, Maria, “Greenville Rocks,” The New Art Examiner, March, pp. 32-37 (illustration)
Johnson, Ken, “Jane Hammond,” The New York Times Art Guide, p. E36, March 13
Mitchell, Ben, “Jane Hammond at Greg Kucera,” Artweek, January
Corbett, William, “Queen Jane Approximately,” Modern Painters, Summer, pp. 88-89
Brody, Jaqueline, “Paper,” Brochure essay for exhibition at Dieu Donné Press and Paper
Thorson, Alice, “Cohen’s ‘Preview’ United Abstract Talents,” The Kansas City Star,
July 24, p. 11
Osman, Jana, Juliana Spahr, and Janet Zweig, “Different Languages,” Chain, Issue 5,
Small Press Distribution, Berkeley, CA, pp. 96-98 (illustration)
Oksenhorn, Stewart, “Creating Art Our of Pandemonium,” Aspen Times Weekly,
June 27-28, pp. 1B, 9B-10B
Cedrins, Inara, “Knowing Children,” Cover, vol. 12, #4, p. 51 (illustrtion)
1997 ArtNews Special, January, p. 50
New York Magazine, April, p. 145
Levin, Kim, “Jane Hammond,” The Village Voice, April 16-22, p. 12
Corbett, William, “Highlights: New York,” Artsmedia, June, p. 35
Rubinstein, Raphael, “Jane Hammond at Luhring Augustine,” Art in America, pp. 106
Schmerler, Sarah, “Jane Hammond,” ArtNews, September, p. 130
Howard, Malcolm, “Universal Images,” The Colorado Springs Independent, pp. 9-14
Betti, Claudia, and Teale Sale, Drawing, A Contemporary Approach, Fourth Edition,
Harcourt Brace College Publishers, pp. 293-294 (illustration)
Schwabsky, Barry, “New York,” catalog essay for Gallery F-15, Moss, Norway
Sandberg, Lotte, “ New York pa Jeloy,” Aften Polten, October 12, p. 25 (illustration)
Flor, Harald, “Vold og Tyggis,” Dagbladet, October 1
Jortveit, Anne Karin, “Chanel, pistalskudd-og liuslinjer,” Klassekampen,
October 4, p. 33 (illustration)
Olsen, Ragnhild, “Med (tyggis) under stolen,” Moss Avis, September 12,
pp. 12-13 (illustration)
Cameron, Dan, “Global Warming,” ArtForum, December, p. 20
Hackett, Regina, “Hammond’s Savvy Surrealism Makes Conscious Use
of the Unconscious,” Seattle Post Intelligencier, November 21, p. 21
Klawans, Stuart, “Museums,” The Daily News, April 26.
1995 Smith, Robert, “A neo-Surrealist Show with a Revisionist Agenda,”
The New York Times, January 12, p. C23.
Duncan, Michael, “Report from Los Angeles,” Art in America, January, p. 39.
Holg, Garrett, Review of Zolla/Lieberman, Art News, February, p. 141, Framework,
Vol. 7 Issue 3, p. 52.
Princenthal, Nancy, “Now You See It, You Don’t: The Magic Magic Book,”
Parkett 47, pp. 184-187
Suto, Wilma, “Een oor met ogen en een open boek,” De Volkskrant, February 9
Lutticken, Sven, “De beeldbank van Hammond, “ March 1
Warlow, Emma, “Desirable Deco,” Apartment Living, April/May, p. 47 (cover image)
Colby, Joy Hanson, “Anything Goes...Together in Hammond’s Art,” The Detroit News,
Thursday, April 4, p. 1F
Provenzano, Frank, “Layered Lyricism,” Metrotimes, May 15-21, p. 20
Campbell, Shane, “Jane Hammond,” The New Art Examiner, September
Bee, Susan, and Mira Schor, “Jane Hammond,” New Observations, #113, Winter, cover,
pp. 8-9
Yeo, Ricky, “Looking Good,” IQ Magazine (Singapore,) cover, pp. 28-32
1996 Pagel, David, “Entering a Psychic World of Stimulating Hyperactivity,” Los Angeles Times,
January 19, F8
McGee, Celia, “Book Tricks from Ricky Jay and the Whitney,”
The New York Observer, p. 24
Frank, Peter, “Art Picks of the Week: Dominique Blain, Jane Hammond,
Subtle Differences,” LA Weekly, February 3-9
Field, Richard, “Contemporary Emblems,” Reinventing the Emblem,
Yale University Art Gallery, New Haven, CT
Diehl, Carol, “Jane Hammond—Jose Freire,” ArtNews, February, p. 126
Stein, Judith, “The Word Made Image,” Art in America, May, pp. 98-101
“The Printroom of the Yale University Art Gallery,” Print Collector’s Newsletter,
March-April, p.14
Scott, Sue, “Selective Visions,” Art & Antiques, November, pp. 92-95
“1995 Acquisitions-The Hallmark Collection” (back cover)
Cuperman, Pedro, “Sips and Slips,” Point of Contact, Vol. 4, No. 2, Fall, pp. 73-80
Zinnes, Harriet, “Jane Hammond,” Art Papers, March and April, p. 57
Hackett, Regina, “Sex Show at Greg Kucera Runs Controversial to Serene,”
Seattle Post Intelligencer, February 10
1994 Smith, Robert, “Jane Hammond at Jose Freire,” The New York Times, November 4, p. C30
Cottingham, Laura, “On the Precipice of Poetic Justice,” Catalog essay for the exhibition
at Jose Freire Fine Art, New York City, October
Cameron, Dan, “Critical Edge: The Easel Way Out,” Art & Auction, December, pp. 66-69
“Here Comes the Future: 25 Faces Facing Forward,” Interview Magazine, October, p. 66
“Self-Portrait by Jane Hammond,” The New Yorker, October 31, p. 22
Bishop, Philip, “Her Paintings Are Meditations on Detail,”
The Orlando Sentinel, December 11
1992 Kertess, Klaus, “See Jane Paint,” April, essay for exhibition at Jose Freire Fine Art,
1993 New York, NY
Findsen, Owen, “Exhibits for Art Museum’s 1993-94 Season,” Cincinnati Enquirer, June 23
Hackett, Regina, “Review,” Seattle Post-Intelligencer, April 16 (illustration)
Liebman, Lisa, “Art, Finite Universe,” The New Yorker, April 12
Ament, Doloris Tarzan, “New York Artist Makes Beautiful Impressions,” The Seattle Times,
April 8 (illustration)
Johnson, Ken, “Jane Hammond at Jose Freire,” Art in America, October, p. 126
(with illustration)
Cameron, Dan, “What Goes Around,” Art and Auction, October, pp. 80-81
Cotter, Holland, “Review,” The New York Times, April 23, p. C28
Levin, Kim, “Voice Choice,” The Village Voice, April 13
The New Yorker, “Finite Universe,” April 12, page 14
Iannacci, Anthony, “Review,” ARTFORUM, January (illustration)
1992 Wasserman, Burton, “Exhibitions in Sight,” Art Matters, February, p. 3
Cameron, Dan, “Don’t Look Now,” Frieze, Issue 3, pp. 4-8
Drucker, Johanna, “Visual Pleasure: A Feminist Perspective,” Meaning #11, May, pp. 3-11
Hermanns, Ralph, “Pussellexicon för Konstnarer,” Dagens Industri, Sweden,
page 43, (illustrations)
Olofsson, Anders, “Jane Hammond,” Material #8, page 43
Cameron, Dan, “The Outlaw Academy,” Art and Auction, April, p. 96-98
Williams, Gilda, “Review,” Flash Art, December, Italian Edition
Dubin, Zan, “Painting Themselves Out of a Corner,” Los Angeles Times,
October 10 (photo)
Curtis, Cathy, “Women’s Work: Rich, Shocking,” Los Angeles Times, October 16
Liberio, Lydia, “What If Andy Warhol and Roy Lichtenstein Had Been Women?”
The Irvine World News, October 15, B17 (photo)
Myers, Terry R., “Fear Strikes Out,” QW, October 4, pp. 38-39
Ayerza, Josephina, “Interview with Jane Hammond,” Lacanian Ink, #6, pp. 68-75 (with illustrations)
1991 Evans, Steven, “Review of Painting Culture,” NYO, November 10, p. 34
Kozik, K.K., “Jane Hammond, fiction/non-fiction,” Cover Magazine, October
Mahoney, Robert, New York reviews, Art & Antiques, October
Kimmelman, Michael, “Painting Culture,” The New York Times, November 1
Hess, Elizabeth, “Death to the Masters,” Village Voice, October 22
Cyphers, Peggy, “New York in Review,” Arts Magazine, September, p. 7
Rosenberg, Barry A., and Carol Nathanson, “Words & #s,” Museum of Contemporary
Art, Wright State University, Dayton, OH (illustrations)
Handy, Ellen, “Abstract Information—First Impressions, Last Resorts: Printmaking at the End
of the Century,” Sacred Heart University, Fairfield, CT (illustration)
Levin, Kim, “Voice Choices: Jane Hammond at fiction/nonfiction,” The Village Voice,
June 4, p. 115
Taylor, Fredrieke, “Alchemy,” New Observations, number 84 (illustrations)
Colby, Joy, Detroit News, March 29, pp. 1C-2C
Miro, Marcia, Detroit Free Press, March 31, p. 4C
Hixson, Kathryn, “Chicago in Review,” Arts Magazine, January, p. 107 (illustration)
1990 Creeley, Robert, “Never Lose Your Paper,” catalog essay, Universal Limited Art Editions,
New York, NY
Ackley, Clifford, “The Unique Print Today,” catalog essay, Museum of Fine Arts,
Boston (illustration)
Kiehl, David, “On American Printmaking,” catalog essay
11th British International Print Biennale, Bradford Art Galleries and Museums,
Bradford, England
Bowman, Russel, and Dean Sobel, “Word as Image: American Art 1960 to 1990,” catalog
essay, Milwaukee Art Museum, Milwaukee, WI (illustration)
Handy, Ellen, “The Pearls and the String, Jane Hammond’s Associative Method,”
Arts Magazine, September, pp. 47-51 (illustrations)
Ashbery, John, “Jane Hammond New Paintings,” catalog essay, Wetterling Gallery
McCracken, David, “Hammond Leaves Pictorial Story to Viewer,” Chicago Tribune,
Friday, November 16
Barckett, Lynda, “Jane Hammond at the Zolla/Lieberman Gallery,” Reader, November 23, p. 29
Enders, Alexandra, “Family Portraits,” Art & Antiques, October, p. 67 (illustration)
McGovern, Adam, “Summer Group Show: Prints and Works on Paper,” Cover, September
Harrison, Helen, A., “Blurring Artistic Distinctions,” The New York Times, July 8
Jensen, James, “Recent Paintings,” catalog essay for exhibition at the Honolulu
Academy of Arts, Honolulu, Hawaii, May/June
Myers, Terry, R., “New York Fax,” Art Issues, May, p. 34
Hess, Elizabeth, “Fly on the Wall,” The Village Voice, February 27, p. 84 (illustration)
Atkins, Robert, “New This Week,” Seven Days, February 28, p. 52
Myers, Terry R., “Review,” Flash Art, Summer, p. 150 (illustration)
Morse, Marcia, “Disparities the Eye Somehow Connects,” The Sunday Star-Bulletin
and Advertiser, June 17, Honolulu, Hawaii, E10 (illustrations)
1988 Walker, Barry, “Projects and Portfolios,” catalog essay for exhibition at the Brooklyn
Museum, Brooklyn, NY, October (with illustration)
Creeley, Robert, “Here,” Catalog Essay, Exit Art (illustrations)
Myles, Eileen, “Review,” Art in America, October, (illustration)
Papadakis, Andrea, ed., New York, New Art, vol. 5, pp. 62-65 (illustration)
Miro, Marsha, “Review,” Detroit Free Press, August 13, 6G (illustration)
Henry, Gerrit, “Reading Jane Hammond,” The Print Collector’s Newsletter, September-
October, pp. 128-129 (illustration)
Shestak, Mel, “New York,” Contemporanea, September, p. 33
Hirsh, David, “Summer Thrills for Humid Heat,” The New York Native, July 24, p. 30
Atkins, Robert, Arena, June, pp. 109-110 (illustration)
Cirincone, Janine, “Review,” Cover Magazine, April, p. 14
Bass, Ruth, “Review,” ARTnews, May, pp. 171-172 (illustration)
Mahoney, Robert, “Review,” Arts, Summer, p. 96 (illustration)
Myers, Terry R., “Review,” Art Today-Videotape, February
Ôblêk, Spring, 11 illustrations
Van Wagner, Judy K. Collischan, Lines of Vision, Hudson Hills Press, NY, p. 69 (illustration)
1987 Huntington, Richard, “Hammond Paintings Present a Challenge,” The Buffalo News,
December 9, p. 27
Bass, Ruth, “New York, New York,” ART-TALK, August/September, p. 58
Dorsey, John, “Six Painters Try Their Heads at Printmaking,” The Baltimore Sun, June 4,
E1, 6 (illustration)
Artist Works
Silver Charms 2003
ink and watercolor on rag paper
22" x 29 1/2"
Bulletin Board (Pearl Drop Earring)
2005
Watercolor, gouache, pen and ink, digital photography on various archival papers with metal charm and plastic jewels
11 1/2 x 17 1/2 inches
Love Laughs , 2005
lithograph w/hand coloring and collage
33 3/4 x 51 1/4 inches
John Berggruen Gallery | Artist | Jane Hammond
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