John Berggruen Gallery
Diane Andrews Hall
Biography
Diane Andrews Hallwww.dianeandrewshall.com
Born: 1945 Dallas, Texas
Education:
1972-75 San Francisco Institute of Music, San Francisco, CA
1969 M.F.A. Hoffberger School of Painting, The Maryland Institute of Art,
Baltimore, MD
1967 B.F.A. Sophie Newcomb College, New Orleans, LA
Awards:
1967 Skowhegan School of Painting and Sculpture, Skowhagen, ME
1990 Artist in Residence on the Alpha Helix, National Science Foundation
Research Vessel in Glacier Bay, Alaska
1994 WESTAF/NEA Regional Fellowship for Individual Artists
1995-96 Visiting Artist at the American Academy in Rome
Solo Exhibitions:
2002 New Paintings: James Graham Gallery
2000 “Natural Phenomena”, Recent Paintings, John Berggruen Gallery, San Francisco, California
1998 “New Work”, James Graham and Sons, New York, New York
1995 “The Persistence Paintings” and “The Eye of Enduring”, a collaboration
with Lyn Hejinian, Haines Gallery, San Francisco, California
1993 “The Thought of Sight”, Haines Gallery, San Francisco, California
1991 “Diane Andrews Hall”, Mincher/Wilcox Gallery, San Francisco,
California
1988 “Not Knowing/The Absolute: Horizons”, New Langton Arts,
San Francisco, California
1987 “Diane Andrews Hall”, Fuller Goldeen Gallery, San Francisco, California
1984 “Diane Andrews Hall”, Smart Art, Dallas, Texas
“Painted Installation”, Works Gallery, San Jose, California
1980 “Diane Andrews Hall”, San Francisco Museum of Modern Art Rental
Gallery, San Francisco, California
Group Exhibitions:
1997 “Landscape and Abstraction”, James Graham and Sons, New York,
New York
1996 “Anniversary Acquisitions Show Part II”, University Art Museum,
Berkeley, California
“Open Skies”, University of Oregon Museum of Art, Eugene, Oregon
1994 “Facing Eden: 100 Years of Landscape Art in the Bay Area”, M.H.
de Young Museum, San Francisco, California
“Endurance Art”, Exit Art/The First World in Soho in Manhattan,
New York, New York
“Fire, Water, and Stone”, 505 Sansome, San Francisco, California
1994-95 ‘Old Glory, New Story: Flagging of the 21st Century”, Capp
Street Project, San Francisco, California and Santa Monica Museum,
Los Angeles
1992 “Why Painting?”, Susan Cummins Gallery, Mill Valley,
California
1990 Mincher/Wilcox Gallery, San Francisco, California
“Environmental Response”, Falkirk Cultural Center, San
Raphael, California
1989 “Topography”, Fuller Gross Gallery, San Francisco, California
“Diane Andrews Hall and Doug Hall”, Russian Museum, Leningrad
U.S.S.R.
“Mystical Landscape”, Maloney/Butler Gallery, Santa Monica
California
1985 “Unabashed Symbiotics”, Old Warehouse Cabaret, Oakland,
California
“Different Directions”, San Francisco Arts Commision Gallery
San Francisco, California
1984 “The Coast Show”, Public Image Gallery, New York, New York
1983 “30th Annual Juried Competition: Painting”, Richmond Art
Center, Richmond, California
1982 “Juried Show”, Hayward Forum of the Arts, Inc., Hayward,
California
1980 “San Francisco Art Institute Annual”, San Francisco Art Institute
San Francisco, California
“I Like Supermarkets”, video tape in collaboration with Doug Hall,
Long Beach Museum of Art, Long Beach, California
“Time/Space/Sound-1970’s: A Decade in the Bay Area”, T.R. Uthco
(Diane Hall, Doug Hall, Jody Procter) collaboration, San Francisco
Museum of Modern Art, San Francisco, CA (catalog)
Solo Exhibitions As T.R. Uthco:
From 1973-1979, work produced collaboratively with T.R.Uthco
1979 “I Hardly Ever Leave This Room”, three channel video collaboration,
University Art Museum, Berkeley, California
1978 “Edited By Fire”, La Mamelle, San Francisco, California
“Two Channel Video”, video by T.R.Uthco/Diane Hall, New
American Filmaker Series
1977 “Really, I’ve Never Done Anything Like This Before, He Said”,
T.R.Uthco performance with video, La Mamelle Arts Center, San Francisco, California
“Really, I’ve Never Done Anything Like This Before, He Said”,
performance/video with T.R.Uthco, Otis Art Institute Gallery, Los
Angeles, California
1976 “The Eternal Frame”, Photographic and Video installation, T.R.Uthco/Ant
Farm collaboration, Long Beach Museum of Art, Long Beach, California
1975 “Great Moments”, T.R.Uthco, The Theatre Project, Baltimore, Maryland;
Detroit Institute for the Arts, Detroit, Michigan; University of Michigan
Art Department, Ann Arbor, Missouri; The Contemporary Art Museum,
Housten, Texas
“The Eternal Frame”, T.R.Uthco/Ant Farm, Dealey Plaza, Dallas, Texas
“The Eternal Frame”, T.R.Uthco/Ant Farm Slide and Video presentation,
Anthology Film Archive, New York, New York
1973 “Great Moments”, T.R.Uthco, Portland Center for the Visual Arts,
Portland, Oregon; Center for Contemporary Music at Mills College, Oakland, California; Bumpershoot Arts Festival, Seattle Art Center,
Seattle, Washington; Virginia Commenwealth University, Richmond,
Virginia
“Standind Man”, T.R.Uthco, Maryland Institute of Art, Baltimore
Maryland
Selected Reviews
1997 JBB, “Landscape As Abstraction”, REVIEW, March 1997, New York.
1996 Baker, Kenneth, “Art that Colors Reality”, SAN FRANCISCO
CHRONICLE September 16, 1996
1995 Bonetti, David, “Portraying Paradise”, SAN FRANCISCO EXAMINER,
June 25, 1995
Baker, Kenneth, “Facing Eden”, SAN FRANCISCO CHRONICLE, 1995
Dalkeym, Victoria, “The Changing Landscape”, THE SACRAMENTO
BEE, July 2, 1995
Fowler, Carol, “Bay Area Scenes Provide Exhibits Inspirations”,
CONTRA COSTA TIMES, June 23, 1995.
Thym, Jolene, “Bay Area Inspiration”, OAKLAND TRIBUNE, June
22, 1995
Roche, Harry, “Facing Eden”, SAN FRANCISCO BAY GUARDIAN,
July 12, 1995
Smith, Roberta, “Still A Credo For Artists: Do As You Please”, THE
NEW YORK TIMES, April 2, 1995
1993 Baker, Kenneth, “And More Clouds at Haines Gallery, SAN
FRANCISCO CHRONICLE, Jan. 9, 1993
1992 Rapko, John, “At the End of Art”. ARTWEEK, May 21, 1992
1991 Rapko, John, “Dianne Andrews Hall”, ARTWEEK, March 28, 1991
Morris, Gay, “Diane Andrews Hall at Mincher/Wilcox,” ART IN
AMERICA, November, 1991
1990 NEW LANGTON ARTS: THE FIRST FIFTEEN YEARS, New Langton
Arts, San Francisco, 1990. Catalogue
1989 Solnit, Rebecca, “Landscape As Cultural Solution”, ARTWEEK,
September 23, 1989
Watten Barrett, “Dianne Andrews Hall—Not Knowing/The
Absolute: Horizons”, New Langton Arts. Catalog 1989, pp.18-19
1987 Berkson, Bill, “Dianne Andrews Hall”, ART FORUM, April, 1987, Vol
XXV, #8, p.37
1986 Hall, Doug, “Thoughts on Landscape in Nature and Industry”,
RESOLUTION; A CRITIQUE OF VIDEO ART,LACE Los Angeles, CA
pgs. 36-38, 1986; also published in TELOS (Spain) 1986
1985 Burkhardt, Dorothy, “Different Directions”, SAN JOSE MERCURY
NEWS , Feb, 24,1985
Morch, Al, “Different Directions”, SAN FRANCISCO EXAMINER,
Feb. 25, 1985
1980 Foley, Suzanne, and Constance Lewellyn, eds., exhibition catalog
for “Space/Time/Sound—1970’s: A Decade in the Bay Area”, San
Francisco Museum of Modern Art, 1980
Morch, Al, “San Francisco Art Institute Annual”, SAN FRANCISCO
CHRONICLE, 1980
1979 Loeffer, Carl, editor, “Performance Anthology”, CONTEMPORARY
ART PRESS, San Francisco, California
1976 “Anchora Per Assurdo” DOMUS MAGAZINE, Milan, Italy, October,
1976
“Thirty Two Feet Per Second”, ART CONTEMPORARY, August, 1976
1975 “The Eternal Frame”, NATIONAL LAMPOON, January, 1975
“T.R.Uthco, San Francisco,” DOMUS MAGAZINE, Milan, Italy, March
1975
“Truth is Beauty in a Jolting Way” SAN FRANCISCO CHRONICLE, 1975
“Great Moments”, ARTWEEK, December 1974
1974 Subtle, Susan, “Their Art Belongs to Dada”, ESQUIRE, August 1974
Artist Works
Goldfinch II, 2005
oil on wood
10 x 10 inches
Winter's Promise, 2005
oil on wood
40 x 40 inches
John Berggruen Gallery | Artist | Diane Andrews Hall
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